Club Foot Orchestra, Photo: Anne Hamarsky
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Club Foot Orchestra
Club Foot Orchestra
Club Foot Orchestra
Club Foot Orchestra
Club Foot Orchestra
Club Foot Orchestra

By Richard Marriott & others

The Club Foot, at 2520 Third Street in San Francisco, was created by a collective of five New York artists who had recently relocated to San Francisco: Richard Kelly, JC Garrett, Cindy Buff, Katherine Robinson, and Richard Edson.

It was their obsession to marry high art values to the vitality of underground performance art; to fuse Frank Sinatra, Roy Orbison, and Albert Ayler and project that onto the art-rock stage. The 1980 "Club Foot" vinyl on Subterranean Records documents this scene, featuring four bands which evolved at that time: The Longshoremen, Naked City, Bay of Pigs, and the Alterboys. The Club Foot themes which open and close the aforementioned LP were performed by a composite of those groups - this was the first Club Foot Orchestra. Richard Edson on the cover designed by JC Garrett. Cover Photo by John Roberts from the opening night of the club. Edson wrote the lyric to "Frank Sinatra".

Subterranean Records reissued the "Club Foot" vinyl in 2010. In February of that year, several of these bands participated in a 30-year reunion show at the Cafe Du Nord, which is documented in Tom Wheeler's film Club Foot: Moving In The Direction of History.

Club Foot: Moving In The Direction of History.

In January 1982, I, Richard Marriott, moved into the flat above the Club Foot. After fifteen months of ear-splitting angst emerging from below, I formed an orchestra to perform at a Club Foot music festival in June of 1983. Following a peculiar egalitarian ethic, all musicians were welcome to play; beginners took simple, but essential roles, virtuosos played the showy and difficult parts, and improvisors soloed over the top. We called ourselves "Orquestra FOOT a dentra la Boca". Our band included three members from the earlier group: Opter Flame, Karl DeLovely and Bruce Ackley of the ROVA Saxophone Quartet. Also present were Neil Kaku on bass, guitarist Eugene Chadbourne and Tutti on bass flute, plus Beth Custer, Josh Ende and Arny Young, who figure prominently in later groupings. Even at this first performance, the orchestra showed a fondness for music in odd meters: my composition "The Trial of Silly Satan" begins in a West African 12/8, moving through 7/4, 11/8, 5/4 and 13/8 before returning to the theme in 12/8. A month after the festival, Richard Kelly committed suicide at his home.

The orchestra reformed in October of 1983 to play at the Horn Reborn Festival at the "On-Broadway" in San Francisco. At this festival we were rechristened the Club Foot Orchestra, in reference to our home base and in tribute to the spirit which created the Club Foot. Over the next few years we played every club in town and people danced like they were on the Titanic. This period of the orchestra's history was captured in two Ralph Records recordings: "Wild Beasts" and "Kidnapped".

The nightclub Club Foot held its last performance in November of 1986.

Here's a link to the San Francisco Public Library exhibit of Club Foot material: Club Foot Moving in the Direction of History