REVIEWS

Marriott suggests and parodies the sounds of Dracula's Transylvania with strains of Klezmer clarinet, Gypsy violin rhapsody, waltzes gone mad and darkly comic dirges. He's sprinkled comic musical touches throughout. And yet Marriott remains faithful to the spirit of the film while playing off a contemporary audience's comic reaction to a great old silent movie
(Jesse Hamlin San Chronicle)

While Nosferatu isn't a film that's likely to date, such music makes it seem modern, even avant-garde
(Nora Ostrofe, Daily Californian)

Eccentricity at its best
(Dan Ouellette, Berkeley Beat)

But what Marriott has done here is to affectionately reconsider the possibilities through the musical filter of modern sensibility ... it brings the cinematic artifact to life, by carefully matching real-time music to reel-time film.
(Josef Woodard, Santa Barbara Independent)

His soundtracks are like films for the ears - you can see the story just by hearing them
(Barry Walters, Village Voice)

The most impressive of these hybrids was the FW Murnau classic "Nosferatu' - the first Dracula film - with music by the Club Foot Orchestra, a San Francisco group that has pioneered the moden use of live music with silent film. This nine-piece band flawlessly performed a score carefully matched to every piece of on-screen action in what amounts to an hour-long suite of epic proportions
(Neil Tesser, Chicago Tribune)